The rooftops they are running on will be 1950's New York rooftops, therefore the images above identify just what I am aiming for, however the lighting seems to be to bright on them therefore the image below shows the effect I want when they are on the rooftop. This will bring more obscurity into the scene and raise tension to the audience as we expect the unexpected.
Rooftops, 42nd Street New York; 1940; http://www.google.co.uk/imgres?q=1950+New+York+Rooftops&um=1&hl=en&client=safari&tbo=d&rls=en&authuser=0&biw=1277&bih=616&tbm=isch&tbnid=6pQG1vNwoa-_nM:&imgrefurl=http://www.artvalue.com/auctionresult--feininger-andreas-1907-1999-us-rooftops-42nd-street-new-york-2788075.htm&docid=UNXUTbFCyp_-RM&imgurl=http://www.artvalue.com/photos/auction/0/49/49440/feininger-andreas-1907-1999-us-rooftops-42nd-street-new-york-2788075.jpg&w=370&h=480&ei=S-HTUKarL-ns0gXv-IFA&zoom=1&iact=hc&vpx=786&vpy=230&dur=1212&hovh=256&hovw=197&tx=103&ty=129&sig=105972740967480288129&page=1&tbnh=136&tbnw=103&start=0&ndsp=26&ved=1t:429,r:15,s:0,i:130
An industrial rooftop; 2006; Alex Reisner; http://www.google.co.uk/imgres?q=1950+New+York+Rooftops&um=1&hl=en&client=safari&tbo=d&rls=en&authuser=0&biw=1277&bih=616&tbm=isch&tbnid=KYblJMa2PjM1JM:&imgrefurl=http://alexreisner.com/nyc&docid=TOR6OPD8YSymDM&imgurl=http://www.alexreisner.com/img/nyc/pulaski.rooftop.jpg&w=260&h=211&ei=S-HTUKarL-ns0gXv-IFA&zoom=1&iact=hc&vpx=1030&vpy=337&dur=162&hovh=168&hovw=208&tx=124&ty=175&sig=105972740967480288129&page=1&tbnh=143&tbnw=165&start=0&ndsp=26&ved=1t:429,r:25,s:0,i:165
Killers Kiss; Stanley Kubrick; 1955; http://www.google.co.uk/imgres?q=1950%27s+Noir+Rooftops&um=1&hl=en&client=safari&tbo=d&rls=en&authuser=0&biw=1277&bih=616&tbm=isch&tbnid=geyNJpXIZLz8vM:&imgrefurl=http://thehollywoodprojects.com/category/film-noir/&docid=piVSOZoZqIjHjM&itg=1&imgurl=http://thehollywoodprojects.files.wordpress.com/2010/04/rooftops.png%253Fw%253D300%2526h%253D225&w=300&h=225&ei=WeDTUMiYComo0QWHn4D4Bg&zoom=1&iact=hc&vpx=606&vpy=152&dur=276&hovh=180&hovw=240&tx=82&ty=95&sig=105972740967480288129&page=1&tbnh=145&tbnw=188&start=0&ndsp=25&ved=1t:429,r:21,s:0,i:153
The Big Combo; 1955; Joseph H. Lewis; http://www.google.co.uk/imgres?q=1950%27s+noir+Rooftops&start=143&um=1&hl=en&client=safari&sa=N&tbo=d&rls=en&authuser=0&biw=1277&bih=616&tbm=isch&tbnid=GdizwMDAFTt-4M:&imgrefurl=http://romethesecondtime.blogspot.com/2009_12_01_archive.html&docid=02L-VIo-vIEaiM&imgurl=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzn1l7EyttNhKCtUZNl4iegc8D0JXmz0sa2n6c0dbIIzd8KmIinOPzy5ncS1-K2lV9Ns8_wC4zLfaMS5YaUvSvBxlvIb6DjCBwek7p_S25qnGvFWStIGuabq4edAru_VdqtTeBJKTHgOU/s1600/The%252BBig%252BCombo%252Bnoir%252Bpic%252B1955.jpg&w=300&h=184&ei=NuPTUPigCKmg0QWD74G4BA&zoom=1&iact=hc&vpx=998&vpy=46&dur=119&hovh=147&hovw=240&tx=76&ty=82&sig=105972740967480288129&page=6&tbnh=142&tbnw=215&ndsp=29&ved=1t:429,r:50,s:100,i:154
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